But it was never the intention for Prescription: Murder to be a prelude to a series. With hindsight, we now know just how big a juggernaut was being unleashed here. Remind yourself of the brilliance below.Ī low-key intro to a character that would win hearts and minds for decades With such conversational gems as Flemming telling Columbo he’s “a sly little elf”, it’s a scene boasting great writing and fine performances from the contrasting leads. Adopting the ‘You know I did it I know you know I did it but you’ll still never catch me’ approach, Flemming oozes arrogant self-assuredness as the two men mentally size each other up. It has to be the ‘hypothetical’ conversation about the crime between Columbo and Dr Flemming over bourbon in the Doctor’s office. It’s the ultimate table turn, and with a simmering Joan ready to confess there and then, Dr Flemming’s future is looking a lot less rosy as credits roll… Time to feel the burn, Raymundo… Prescription: Murder‘s best moment The other redhead was a decoy – Columbo having used Dr Flemming’s own airplane modus operandi against him to make him see what he wanted to see. Lo-and-behold the real Joan emerges from where she’d been skulking, listening to every back-stabbing word. He’d have found some way to get rid of her. Not really, scoffs the dastardly Doc, unable to resist one last chance to prove his superior mental capacity. You got rid of your wife but you’ve lost the girl you loved, so it was all for nothing, chides Columbo. Upon seeing a bikini-clad redhead being dragged from a swimming pool and covered with a blanket, seemingly dead as a post, it looks for all the world as if Dr Flemming is home and dry – his last link to the crime a thing of the past. But the next day Columbo calls the Doc to Joan’s house and reveals she’s died from an overdose. She rings Dr Flemming in rising panic, but he tells her to cool it and ride it out. She’s the weak link, and he sets out to break her, leading to a memorable showdown at the movie studio where Columbo lays down the law and lets Joan know that he’ll keep hounding her until she confesses her part in the crime.Īlthough Joan weathers the storm (just), she’s shaken beyond the point of return. Joan, on the other hand, is a different matter. He comes to the realisation that the Dr is just too assured and too in control to crack. Why didn’t Dr Flemming call out to his wife when he got home to see where she was? Why was his luggage so overweight when he checked it in at the airport, and much lighter on the way home? What happened to the items supposedly stolen from the Flemmings’ home? What happened to Mrs Flemming’s dress and gloves? And what’s the story with Joan and Dr Flemming? With regard to the latter, he quickly establishes it’s more than a Doctor-patient relationship.Īlthough Dr Flemming predictably has an answer for everything, in a foreshadowing of the deductive powers he will show in the series proper, Columbo pieces the crime together. It isn’t long before little things start bothering Columbo. “If it’s any consolation,” Dr Flemming is told, “the one thing she said was your name.” Airport security has come a long way since 1968… They dash to the hospital, but Mrs Flemming dies before being able to make a statement. In a classic act of unsettling, Lieutenant Columbo emerges from another room and stuns the Doctor by telling him his wife is still alive – although in a coma. Upon his return home some days later, Flemming lets himself in to the apartment and assesses the scene of the crime. In a damning indictment of 1960s airport security measures, Joan disguises herself as Carol (despite being young enough to be her daughter), and flounces off a pre-flight airplane after a staged argument with Dr Flemming – leaving the good Doctor to fly off to Acapulco to seal what looks to be an airtight alibi. In order to keep hold of his her fortune, the super suave and highly intelligent Dr Ray Flemming brutally strangles his wife, Carol, at their luxury penthouse and stages an elaborate charade with his beautiful young lover, actress Joan Hudson, to establish his alibi. Written by: Richard Levinson & William Link Episode synopsis – Columbo Prescription: Murder We know how that panned out in the long run, but taken on its own merits, how well does Prescription: Murder still stack up? Let’s investigate… Dramatis personae Pitting a young, neat and smartly dressed Columbo against erudite psychiatrist Dr Ray Flemming, Prescription: Murder gave the world the first taste of just what Peter Falk was capable of delivering in the role that would come to define him. Although the doughty Lieutenant had already existed on stage, in print and on screen in various guises for the best part of a decade, this was the day he went mainstream in a global TV movie premiere on NBC. Few dates on the Columbo calendar are as significant as February 20, 1968.
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